Thursday, June 9, 2011

read eng Vampire Knight, Vol. 11 12 13 14 15 16 17 18 19 20 Matsuri Hino

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Vampire Knight read
Matsuri Hino


This time around his philosophy of choice is an ongoing debate between Gotoh and Arakawa about the nature and relationship of war and peace, a topic which has a direct bearing on the plot. His tendency to get carried away with such dialogues pops up several times, which heavily contributes to the movie's one significant flaw: it drags at times, especially in its first half. The general intensity and urgency begin to build when the wide-spread military deployment starts at the halfway point and kicks into high gear when the terrorists make their big move, but even when the major action scenes come the story never loses sight of being, first and foremost, a drama. The climax may not be the slam-bang affair otaku are used to, but it is consistent with the structure of the movie and feels both appropriate and satisfying.

The other advantage of Hasekura's style is that it adapts very easily to anime form. As a result, the first six episodes of the anime version very faithfully replicate the novel, down even to exactly duplicating lines of dialog in most places. In fact, the only substantive change in the anime version is the introduction of the character Cloe, who assumes and expands slightly upon the role of Yarei, Pasloe's wheat trader.

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